- AMOS AND ANDY TV EPISODES MOVIE
- AMOS AND ANDY TV EPISODES SERIES
- AMOS AND ANDY TV EPISODES TV
- AMOS AND ANDY TV EPISODES FREE
The program was very popular among most black Americans, but a significant minority viewed Correll and Gosden's characterizations as a racial slur.
AMOS AND ANDY TV EPISODES TV
On the TV series, most episodes centered on the battles between the Kingfish and his nagging wife, Sapphire.ĭespite their widespread adulation, Amos and Andy were not loved by all segments of the population. The Kingfish became so popular that he became more prominent than either Amos or Andy. Amos and Andy spent much of their time with a character named George "Kingfish" Stevens, a colorful con man. Amos 'n' Andy created several national catchphrases including "Holy mack'el!," "Ah's regusted," and "Buzz me, Miss Blue." The series, which incorporated many elements of ethnic vaudeville humor, was known for its warm, character-driven humor and its large supporting cast. Amos and Andy were not only heard on the radio they also appeared in films and comic strips, on records, and on a vast array of toys and other merchandise. Fans threatened to boycott Pepsodent, the series' sponsor, if Amos's wife was allowed to die. The show became a national obsession as newspapers printed recaps of the previous night's program.
AMOS AND ANDY TV EPISODES FREE
Amos 'n' Andy also spurred the sale of radios and provided free entertainment for millions of Americans who were struggling through the Great Depression (1929–41 see entry under 1930s-The Way We Lived in volume 2).
AMOS AND ANDY TV EPISODES SERIES
In Raised on Radio, author Gerald Nachman quotes the celebrated playwright George Bernard Shaw (1856–1950), who when asked about his visit to the United States said, "There are three things I shall never forget about America-the Rocky Mountains, Niagara Falls, and Amos 'n' Andy." The series is credited with altering the entertainment habits of the nation.
AMOS AND ANDY TV EPISODES MOVIE
Movie theaters interrupted films so their patrons would not miss the next installment of the series. Department stores regularly played the program over their loudspeakers. People from all walks of life were enthusiastic fans of the show, including presidents Calvin Coolidge (1872–1933) and Herbert Hoover (1874–1964). Andrew "Hog" Brown was a lazy, shiftless, dim-witted schemer.ĭuring its peak, Amos 'n' Andy claimed some forty million listeners-one third of the nation. Amos was the honest, humble, and intelligent owner of the Fresh-Air Taxicab Company. Like Sam and Henry, Amos and Andy were two poor blacks who had left the South for a better life in the North. On March 19, 1928, they premiered Amos 'n' Andy on Chicago's WMAQ.
Although the series was a popular success, Gosden and Correll left WGN after a contract dispute in 1927. Gosden and Correll performed the characters themselves by employing an exaggerated black dialect.
The program, titled Sam 'n' Henry, centered on Sam Smith and Henry Johnson, two poor blacks who migrated from Birmingham, Alabama, to Chicago to seek their fortunes.
By 1925, the pair had moved to Chicago, Illinois, and were producing a radio show on WGN. They met in 1919 while working for an entertainment company that offered its services to amateur and local theatrical groups. Gosden and Correll were both white performers with roots in the Confederate South. The show also constitutes a prime example of the limited opportunities faced by black entertainers during the first half of the twentieth century. Amos 'n' Andy is now most remembered for perpetuating the stereotypes of black minstrelsy (traveling entertainment). Complaints about its content eventually led to the cancellation of the radio series and the removal of the TV show from syndication.
Although the show was extremely popular, many African American groups, led by the National Association for the Advancement of Colored People (NAACP), charged that the characters were racist caricatures and demeaning to the black community. (see entry under 1940s-TV and Radio in volume 3) program from 1950 to 1953. The characters later appeared on their own television Created by white performers Charles Correll (1890–1972) and Freeman Gosden (1899–1982), the series revolved around the comedic misadventures of two black characters-Amos Jones and Andrew H. The series, which ran on radio (see entry under 1920s-TV and Radio in volume 2) in several formats from 1928 to 1960, is perhaps the most popular radio series of all time. In the history of American popular culture, no program was both as popular and controversial as the Amos 'n' Andy show.
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